Видео

Kozmiche!

What a relief that this work was left unfinished and disappeared. The music is third-rate, and the orchestration is extremely rough, massive, and absolutely does not convey Shostakovich's style.

Потрясающее произведение и безупречная игра!

This sounds really peculiar with strings playing without vibrato. I do not think I like it.

I can see this being a huge influence in horror movies soundtracks. Briliant and horrifiyng, METAL AF

La bomba atomica di Hiroshima è stato un evento tragico. Tuttavia, non si può dire che questo pezzo sia un capolavoro, e nemmeno che sia bello da ascoltare. Anzi, è molto probabile che ti venga una malattia alle orecchie mentre lo fai.

Horrible

Great Sound World

Хуйня

Mielenkiintoinen

Great performance. I appreciate that she played such a difficult piece so interesting and musical

Those coughs

The poor woman tried hard in a profession obviously dominated by better male soloist. One could hear and observe slight difficulty of the soloist to keep control over the orchestra. Overall an OK performance.

Amazing!

If I havr a criticism of this playing, it is that he holds back his "passion" too much. He opts for control at the expense of excitement. Somehow, Cliburn kept the tempo within boundd but still imbued his playing with a more personal expression. Still,he plays beautifully!

Зачем апплодисменты в конце?

Какая пугающая музыка. Сразу представляешь тот ужас, который испытывали люди

No. Pendercki first called it 8 Minutes 32 Seconds in deference to Cage. He later changed the title on behalf of the UNESCO.

BRILLIANT!

For me it is much better not to reimagine scenes from a nuclear bomb movie while listening to this. I just let my mind create something much more interesting

Definitely different. I found some parts to be abrasive but I enjoy the experimental side of classical music.

Esto es realmente interesante, así como aterrador, porque nos hace cuestionar A esto le podemos llamar música? Podriamos decir no, pero entonces, ¿Cómo que no si está siendo tocada por muchos instrumentos? O talvez sí, pero ¿Porqué, si no se disfruta? Más bien da escalofríos. Escuchar como va un misil a toda velocidad, mientras las personas gritan de miedo. Los golpes a los instrumentos que hacen parecer que están golpeando una puerta, o moviendo cosas para bloquearla. Las cuerdas que pueden hacerte escuchar voces de personas inocentes siendo asesinadas de manera cruel, muy cruel... Yo opino que sí es música, así como escalofriante es, también puede ser música, debido a que esta obra del Maestro Penderecki, transmite esos sentimientos. No solo por los efectos, sino cómo la interpretes. Qué opinan ustedes? Me lo pueden hacer saber respondiendo a este comentario. Gracias.

Hannibal brought me here.

It is extremely difficult (nigh impossible) to appreciate Penderecki except for live performance or extremely high fidelity (nutcase) audio. Penderecki is entirely about the nature, perception of, and emotional response to pure sound. Without the sound overtones of live performance his music largely misses its essence.

It’s honestly crazy what people can show and represent through music. How they can make the audience feel. I remember my orchestra teacher showing us this piece, our first reactions were crazy. Such a beautiful yet terrifying piece.

Still slaps🔥🔥🔥

Creepy af

Must add, the best version on LP records is that of Gwyneth Jones. Has this ever been bettered?

Simply Superb. Elisabeth Schwarzkopf also does a great job of this extraordinary work as well. I only wish I could have alerted Dame Joan Sutherland to do this work . She would have excelled .

plin plin plon

cod zombies soundtrack

Сильное произведение!

Dupres is smiling down and going " ata girl!"

An intense piece of work. Chaotic, like this historical event!

I came here after searching for a music that uses notes outside of 12 number range

Im gettingl fainted . Its decomposing myself...My brain is hanging, Im dying and taking last breath , losing consciouness

I've listened to recordings of this before, but in particular watching it is a different experience. The way no one moves in unison - as opposed to the typically near medical synchronization of most performances - replicates the frantic and manic nature of the song. Like each performer is experiencing their own, independent crisis, drowned alongside the noise.

Pure horror...

Shit

Salonen certainly knows the orchestra; and yet he is another example of a composer who likes to pretend that the 20th century never happened. This is music of the late 19th century. It's trying so hard to be profound; with all of the necessary tropes. And that makes it even more difficult to take.

소리가 무서워요

Bravo Maestro

Beautiful rendition. Difficult to find better one. He plays like a complex symphonic piece has to be played

there he is. the least pretentious conductor on the planet.

Very interesting performance and she’s in great voice. I do, however,prefer Isokoski in this and think she and Jarvi recorded a better performance, more appropriate to this piece.

ruclips.net/video/g1jvMqIWHXg/видео.htmlsi=GrIxb_C03NdS8RvU The Tocsin of Buchenwald, an antiwar song by the Red Army Choir.

3:59 even the cameraman was disorded here

Shit

My absolute favourite composer, and the piece of music that won me to classical music forever in my teens. Here, without vibrato, it also has no soul, no warmth and is ultimately unlistenable. Yet I suppose some people will listen to anything "new" and"authentic". Not me, thanks very much!

Wendy, give me the bat...